Fulghum offers a disclaimer at the outset of this collection of new essays: ``Nothing definitive is intended on any subject. In fact, I am deliberately depending on your adding your thoughts and experiences....The book will not work without your taking significant responsibility for it.'' Uh-oh. Sounds like the Fulghum machine is running out of steam—and the ensuing pages read like it, too. Like the offerings in the megaselling It Was on Fire When I Lay Down on It (1989) and All I Really Need to Know I Learned in Kindergarten (1988), these rambling conversational musings resemble notes for homilies by a puckish minister (which Unitarian Fulghum has been) who likes to tweak his congregants without making anyone uncomfortable. There are a few relatively mind-opening anecdotes here (a juggler at a Christmas Eve service whose equipment was stolen but who nonetheless managed to wow the audience by juggling illusions; a prized cigar of the author's, laid down for a moment and picked up by an elderly passerby who savored it so thoroughly that Fulghum says, ``The old man may have smoked it, but I've not enjoyed a cigar more''). A school play of Cinderella in which a little fat boy who insisted on playing a pig (nonexistent in the script) steals the show, weddings and funerals relieved of their deadly solemnity by inappropriate bodily noises, the author's decision to liven up a dumpy day by eating Cheerios and jellybeans and walking to his office wearing his granddaughter's beanie copter—the trademark Fulghum themes are here as well, but the charm seems thinner, the sentimentality thicker, and the writing slacker. At his best, Fulghum's simple verities and undemanding spirituality have made him a brand-name remedy for our age's malaise. This is not his best, but the placebo effect will probably carry it to best-sellerdom. (Literary Guild Dual Selection for September.)
Pub Date: Aug. 26, 1991
ISBN: 0-679-40103-2
Page Count: 256
Publisher: Villard
Review Posted Online: Feb. 28, 2011
Kirkus Reviews Issue: June 1, 1991
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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