Too long by a couple of hundred pages but still skillfully told, with a constantly gleeful interest in human awfulness.
J.K. Rowling returns with the fifth of her Cormoran Strike series of detective thrillers, and the blood flows fast.
At the opening, we find Strike at a pub—he’s never far from an adult beverage—when he’s approached by a young woman with a strange tale. Her mother, Margot Bamborough, a general practitioner, disappeared from her clinic—in 1974. Strike, working his first cold case, Googles the doctor’s name only to find that her disappearance had aspects in common with ones attributed to the very unpleasant Dennis Creed, who kidnapped, raped, murdered, and beheaded his victims—sometimes, in a choice that will raise red flags coming from Rowling, while dressed in women's clothes. Now locked away, Creed is just one of the suspects who emerges in the course of Rowling’s overlong but propulsive yarn, each of whom seems to have the job of pulling Strike away from the elusive truth. Fortunately, he has Robin Ellacott, his associate, to get him back on course: He is the muscle and the mover, prosthetic leg notwithstanding, but Robin has a talent for ferreting just the right bits of information out of people. And what people there are: a supposedly drug-addicted colleague of Margot's; the son of a cop who investigated the disappearance and slowly went mad in the process, leaving notebooks of speculation behind that increasingly turned toward the astrological and supernatural; prostitutes and minor drug dealers; a young man with a penchant for animal abuse; a philandering fellow, several of whose girlfriends wind up inconveniently dead; even a couple of vicious gangsters. Then there’s Creed himself, a minor Hannibal Lecter whom Strike takes pleasure in deflating: “She was murdered by a far more skillful killer than you ever were,” he tells the psychopath. Ouch! After wading through a barrel of red herrings, Rowling—beg pardon, Galbraith—delivers the real killer, the least obvious of the lot, and it’s a masterful, perfectly thought-through revelation.
Too long by a couple of hundred pages but still skillfully told, with a constantly gleeful interest in human awfulness.Pub Date: Sept. 15, 2020
ISBN: 978-0-316-49893-7
Page Count: 944
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 15, 2020
SEEN & HEARD
SEEN & HEARD
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.
Having been falsely convicted of murder himself years ago, prosecutor Rusty Sabich defies common wisdom in defending his romantic partner’s adopted son against the same accusation.
Now 76, Rusty has retired to the (fictitious) Skageon Region in the upper Midwest, far removed from Kindle County, Turow’s Chicago stand-in, where he was a star attorney and judge. Aaron Housley, a Black man raised in a bleached rural environment, has had his troubles, including serving four months for holding drugs purchased by Mae Potter, his erratic, on-and-off girlfriend. Now, after suddenly disappearing to parts unknown with her, he returns alone. When days go by without Mae’s reappearance, it is widely assumed that Aaron harmed her. Why else would he be in possession of her phone? Following the discovery of Mae’s strangled body and incriminating evidence that points to Aaron, Rusty steps in. Opposed in court by the uncontrollable, gloriously named prosecutor Hiram Jackdorp, he fears he’s in a lose-lose situation. If he fails to get Aaron off, which is highly possible, the boy’s mother, Bea, will never forgive him. If Rusty wins the case, the quietly detached Bea—who, like half the town, has secrets—will have trouble living with the unsparing methods Rusty uses to free Aaron. In attempting to match, or at least approach, the brilliance of his groundbreaking masterpiece Presumed Innocent (1987), Turow has his own odds to overcome. No minor achievement like a previous follow-up, Innocent (2010), the new novel is a powerful display of straightforward narrative, stuffed with compelling descriptions of people, places, and the legal process. No one stages courtroom scenes better than this celebrated Chicago attorney. But the book, whose overly long scenes add up to more than 500 pages, mostly lacks the gripping intensity and high moral drama to keep those pages turning. It’s an absorbing and entertaining read, but Turow’s fans have come to expect more than that.
An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.Pub Date: Jan. 14, 2025
ISBN: 9781538706367
Page Count: 544
Publisher: Grand Central Publishing
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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