edited by Robert Gellately ‧ RELEASE DATE: April 1, 2018
Essential for students of modern history, marked by fresh scholarship and little-seen photographs.
A richly illustrated and textually dense assessment of the Hitler regime.
The Nazi movement did not arise in a vacuum. As historian Matthew Stibbe notes in this collection edited by Gellately (History/Florida State Univ.; Lenin, Stalin, and Hitler: The Age of Social Catastrophe, 2007, etc.), the Hitler movement was bolstered by a sharp rightward turn of the leading conservative party in Weimar Germany, led by a media mogul who, like the Nazis, opposed the liberal government and decried the putative “political disorder, sexual chaos, and economic turmoil” that marked the Depression era. One little-known plank of the Nazi platform was a program of “plebiscitary dictatorship,” buttressed by referendums that gave the illusion of democracy even when there was only one choice on the ballot. There was even a vote for the Anschluss, or annexation of Austria: “Party members used cars to ferry the old and the frail to the polling stations,” as German historians Hedwig Richter and Ralph Jessen note, while “special polling stations were set up in hospitals.” These elections were useful, Gellately argues, because they enabled the regime to proclaim to the world that the entire nation was with it, thereby allowing it to advance a social agenda that, infamously, demanded that Jews and foreigners be eliminated so that the German “community of the people” would prevail—and, of course, build a nation and even an empire. There are small surprises scattered throughout the text: for instance, the note that the Nazi regime spent record sums on the arts, while, even though it was classified as a “degenerate” form of culture, jazz played on German radios until the end of 1943, “with the implementation of the stricter total war measures.” Indeed, we have so much documentation of the regime’s terror because the Nazis were proud of it, even in that time of collapse.
Essential for students of modern history, marked by fresh scholarship and little-seen photographs.Pub Date: April 1, 2018
ISBN: 978-0-19-872828-3
Page Count: 384
Publisher: Oxford Univ.
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
HISTORY | MILITARY | WORLD | GENERAL HISTORY
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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