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AN ANCIENT CASTLE

In this charming, comfortably old-fashioned story, set between the World Wars around a crumbling 600-year-old castle, everyone knows and agrees on the rules; a meanie's attempt to frame a conscientious servant of the king is easily seen through by the authority in charge; and army jam is put in its place. Sergeant George Harington, a one-armed war veteran appointed keeper of the castle, is an avid castle historian and diligent caretaker. Lord Badger, Harington's officer during the war, is his superior. Both hated the bad jam made by another local resident, Sir Anderson Wigg, who got rich by selling it to the wartime army. And so, when a silly pub argument between Harington and Wigg's chauffeur leads to a plot between Wigg and his chauffeur to discredit Harington, Lord Badger supports the keeper and gives the villains their comeuppance. Like a satisfying folk tale, the story ends with justice amplified: Sergeant Harington and his son Giles, named for the castle's original knight, find a 600-year-old treasure which the original Giles had sealed in a tower during a fatal battle we've already heard of. (This story, we're told in an appendix, is a similar treasure, discovered in a manuscript 50 years after its creation.) Both the matter of false blame and the conspirators' methods (from fabrications to scattering litter for incriminating evidence) are well geared to a child's perspective, and this is reinforced in Graves' earnest manner of telling. His niece Elizabeth Graves' decorous, naive drawings suit it well.

Pub Date: June 15, 1982

ISBN: 0935576339

Page Count: 70

Publisher: Michael Kesend

Review Posted Online: May 17, 2012

Kirkus Reviews Issue: June 1, 1982

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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