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THE CROWNING PRIVILEGE

COLLECTED ESSAYS ON POETRY

This book is made up of six lectures sponsored annually by Trinity College, Cambridge. Graves, known chiefly as a novelist, chose for his subject "Professional Standards in English Poetry". His chief point is that poets belong to no guild, group, society or association, have as their only allegiance the Muse herself and if they are false to this "crowning privilege", they betray the cause of poetry. On this theme Graves strings an enormous amount of erudition from Irish, Welsh and Druidic sources, down through the centuries to modern times, and leaves himself ample play for all his pride and prejudices. Besides these lectures there are a few short essays on various aspects of poetry and sixteen new poems by the author. He is erudite, paradoxical, opinionated and occasionally verbose- and addresses an audience of scholars and critics.

Pub Date: July 5, 1956

ISBN: 0836917510

Page Count: 318

Publisher: Doubleday

Review Posted Online: May 17, 2012

Kirkus Reviews Issue: July 1, 1956

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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