by Robert Graves ‧ RELEASE DATE: June 18, 1965
We expect anything and everything from Robert Graves, but even so it's a little difficult to think of him addressing the London School of Economics or our own Massachusetts Institute of Technology. In 1963 he lectured at both places, respectively on money ("Mammon") and science ("Nine Hundred Iron Chariots"). In dealing with these subjects his technique is typically Gravesian: a deep brew of etymological and historical probings, a collection of cross-references from the literary past to the most Journalistic present, an admission with Socratic irony that he knows nothing about such-and-such, and then a startling summation in which poetic myth and a matriarchal culture are somehow seen to be the only refuge for modern man. With his wit, his Olympian lucidity, and his mischievous asides, he disarms the reader or listener, leaving only the haziest suspicion of legerdemain or irrelevancy. His "Three Oxford Lectures on Poetry," especially the last, "The Poet in a Valley of Dry Bones," are among the wisest and most biting of his discussions concerning craft, sensibility and inspiration, while "Intimations of the Black Goddess" investigates his own (and generally most recent) poetry against the background of myth, the man-woman relationship, the dictates of the White Goddess and so forth- a complex affair about which one expects Graves will soon have much more to say. The two remaining essays, "Real Women" and "Moral Principles in Translation," are lesser efforts. An admirable gathering.
Pub Date: June 18, 1965
ISBN: 0304923656
Page Count: -
Publisher: Doubleday
Review Posted Online: May 17, 2012
Kirkus Reviews Issue: June 1, 1965
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by Robert Graves & illustrated by Elizabeth Graves
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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