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A DAY IN THE LIFE

ONE FAMILY, THE BEAUTIFUL PEOPLE AND THE END OF THE ’60S

Though it often reads like an extended society gossip column, the narrative is studded with enough trivia and name-dropping...

Journalist and screenwriter Greenfield (Exile on Main St.: A Season in Hell with the Rolling Stones, 2006, etc.) pens a eulogy for the 1960s with his portrayal of the ascent and downfall of two upper-class wanderers.

Descended from old money, 20-somethings Susan “Puss” Coriat and Tommy Weber lived off their trust funds, rubbing elbows with Britain’s elite as they discovered their callings—Tommy as a race-car driver, Puss as an actress. By 1964, the couple was married with two baby boys, and they soon fell into the drug experimentation of the mid-’60s. On a trip to the Greek islands with her children in tow, Puss suffered a schizophrenic episode. With her institutionalized, Tommy took charge of the children, soon befriending Keith Richards and staying with the Rolling Stones in France during the recording of Exile on Main St. It was the peak before the fall for both the ’60s and the lives of Puss and Tommy. By 1971, heroin and cocaine became the mainstays of a scene once limited to LSD and marijuana, and Tommy fell into heavy abuse. Puss, as happened with more than a few of the “European hippie jet-set scene,” committed suicide. Tommy then couch-surfed around Europe with his children, hanging out with stars and scammers, even cooking up plans to free Timothy Leary, then a fugitive in Switzerland. Fast-forward a couple decades. Son Jake became a well-known actor, starring in NBC’s Medium, while Charley became a musician and Web designer. After abusing his body for decades, Tommy died in 2006. To sum up the turbulent decade, the author visited Puss’ grave, writing that, along with her physical remains lies “the spirit of an age long since gone, a moment in time when those engaged in a grand social experiment did everything they could to break free from all constraints.”

Though it often reads like an extended society gossip column, the narrative is studded with enough trivia and name-dropping to engage ex-hippies and other fans of ’60s culture.

Pub Date: May 15, 2009

ISBN: 978-0-306-81622-2

Page Count: 320

Publisher: Da Capo

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 2009

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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