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ACT OF OBLIVION

Thoroughly enjoyable with some cringeworthy descriptions. Readers will not pine for days of yore.

This gripping historical thriller reimagines the manhunt of two killers of an English king.

In 1660, two fugitives arrive in New England. Years earlier, they had helped plot the trial and execution of King Charles I on charges of high treason. Oliver Cromwell had subsequently taken power as Lord Protector, but now he and most of the regicides have been tracked down and executed, and a new king is on the throne. The remaining fugitives are Col. Edward Whalley and his son-in-law Col. William Goffe, and Richard Nayler’s job is to hunt them down. Nayler, says the author, is the only important fictional character in the book, and his obsession with the hunt drives the story. This is an era when all misfortune is put down to God's will, and folks clearly believe in a vengeful creator. England suffers plague, war with the Dutch, famine, and a horrible fire in London almost contemporaneously—surely they are the four horsemen foretold in the book of Revelation. Condemned prisoners who are lucky are merely beheaded—the unlucky are subjected to deaths so ghastly that it takes 11 lines to describe. Think red-hot tongs. And if you think escaping to America is easy, remember that red worms infest the ship’s biscuits—and just try to ignore the slop and slime and stink you'll be slipping and sliding in. Nayler is relentless in tracking down the traitors to his beloved king—are they still in England? In France? In New England? He is clever in finding clues that finally point him in the right direction. Meanwhile, Whalley and Goffe are separated from their families across the ocean. Will they ever be able to see them again? Or will Nayler find both men and kill them? The deeply researched story is the author's brilliant reimagining of real historical events, with sympathetic characters and a compelling plot.

Thoroughly enjoyable with some cringeworthy descriptions. Readers will not pine for days of yore.

Pub Date: Sept. 13, 2022

ISBN: 978-0-06-324-800-7

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 5, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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CLOWN TOWN

From the Slough House series , Vol. 9

The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.

A series of mounting complications leads to yet another fight to the death between the discarded intelligence agents of Slough House and the morally bankrupt head of MI5.

As Jackson Lamb’s motley crew on Aldersgate Street struggles to cope with the deaths of River Cartwright’s grandfather and mentor, intelligence veteran David Cartwright, and their dim, beloved colleague Min Harper, new troubles are brewing. Diana Taverner, who runs the British Intelligence Service from Regent’s Park, is being blackmailed by former MP Peter Judd to do his bidding. Nothing untoward about that, of course, but this time, Judd’s demands, backed by a compromising tape recording, are more pressing than usual. So Diana reconvenes the Brains Trust—Al Hawke, Avril Potts, Daisy Wessex, and their ex-boss Charles Cornell Stamoran—whose last assignment was to serve as the contact for psychopathic IRA informant Dougie Malone while turning a blind eye to his multiple rapes and murders, which were really none of the Crown’s business. Taverner’s new assignment for the Brains Trust is the assassination of Judd. Since all these developments are filtered through the riotously cynical lens of Herron’s imagination, nothing goes as planned, and when the smoke clears, the fatalities don’t include Judd. Now that Judd knows he has as much reason to fear Taverner as she does to fear him, Lamb offers to broker a peace meeting between them which Slough House computer geek Roddy Ho will keep secret by knocking out 37 security cameras around Taverner’s dwelling. What could possibly go wrong?

The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.

Pub Date: Sept. 9, 2025

ISBN: 9781641297264

Page Count: 352

Publisher: Soho Crime

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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