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ACT OF OBLIVION

Thoroughly enjoyable with some cringeworthy descriptions. Readers will not pine for days of yore.

This gripping historical thriller reimagines the manhunt of two killers of an English king.

In 1660, two fugitives arrive in New England. Years earlier, they had helped plot the trial and execution of King Charles I on charges of high treason. Oliver Cromwell had subsequently taken power as Lord Protector, but now he and most of the regicides have been tracked down and executed, and a new king is on the throne. The remaining fugitives are Col. Edward Whalley and his son-in-law Col. William Goffe, and Richard Nayler’s job is to hunt them down. Nayler, says the author, is the only important fictional character in the book, and his obsession with the hunt drives the story. This is an era when all misfortune is put down to God's will, and folks clearly believe in a vengeful creator. England suffers plague, war with the Dutch, famine, and a horrible fire in London almost contemporaneously—surely they are the four horsemen foretold in the book of Revelation. Condemned prisoners who are lucky are merely beheaded—the unlucky are subjected to deaths so ghastly that it takes 11 lines to describe. Think red-hot tongs. And if you think escaping to America is easy, remember that red worms infest the ship’s biscuits—and just try to ignore the slop and slime and stink you'll be slipping and sliding in. Nayler is relentless in tracking down the traitors to his beloved king—are they still in England? In France? In New England? He is clever in finding clues that finally point him in the right direction. Meanwhile, Whalley and Goffe are separated from their families across the ocean. Will they ever be able to see them again? Or will Nayler find both men and kill them? The deeply researched story is the author's brilliant reimagining of real historical events, with sympathetic characters and a compelling plot.

Thoroughly enjoyable with some cringeworthy descriptions. Readers will not pine for days of yore.

Pub Date: Sept. 13, 2022

ISBN: 978-0-06-324-800-7

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 5, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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