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ELIZABETH’S SPYMASTER

FRANCIS WALSINGHAM AND THE SECRET WAR THAT SAVED ENGLAND

Informative, though some may wince at Walsingham’s bloody tactics.

An examination of the life and sometimes gruesome career of the Protestant official who crushed Catholic resistance in 16th-century England.

Hutchinson (The Last Days of Henry VIII, 2005) delves deep into history to explore the life of Francis Walsingham (1532–90), a seminal yet little known figure whose influence still resonates today. The author’s broad knowledge of the Elizabethan era helps elucidate the key issues in which his subject was embroiled. Perhaps of even greater importance, Hutchinson unveils the methodology Walsingham employed to garner crucial intelligence for his queen after he took over her secret intelligence service from Sir William Cecil. Elizabeth called Walsingham “a rank Puritan,” but both were fervent Protestants, and one of the spymaster’s first tasks was to quash the threat from “that devilish woman,” Catholic Mary Queen of Scots. Walsingham stopped at nothing, even forging correspondence to discredit Mary. As Hutchinson details these events and the growing threat from Catholic Spain, he notes parallels between his subject’s techniques and modern day intelligence operations. Walsingham would have had no problem, the author avers, with the draconian measures taken by many Western nations in recent years to combat terrorism. Indeed, ‘human rights’ was an unknown concept in an age when suspects were routinely tortured to extract information. Hutchinson painstakingly scrutinizes the broad range of grisly devices employed in these activities and proffers information on such accomplices as chief torturer Richard Topcliffe, “rackmaster” Thomas Norton and playwright Christopher Marlowe, who became part of the spy ring Walsingham formed.

Informative, though some may wince at Walsingham’s bloody tactics.

Pub Date: Aug. 1, 2007

ISBN: 978-0-312-36822-7

Page Count: 336

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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