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THE VOYAGE OF THE POPPYKETTLE

In this awkwardly cut but adventurous adaptation, seven (or maybe five, or some other number, depending on the illustration) insect-sized Hairy Peruvians set sail across the Pacific in a modified Incan teapot, surviving storms, a close encounter with comparatively monstrous Galapagos iguanas and other hazards along the way. In typically impressionistic, Turner-esque style, Ingpen captures the voyage with engrossing drama, pauses for a detailed cutaway view of the rotund vessel and then sets his diminutive, hirsute folk upon an Australian shore—“It was not like Peru, but they would make it their home. Finally, they were home.” He closes with a photo of modern children, who actually celebrate the supposed arrival in a local holiday inspired by this original tale’s first appearance some 20 years ago. Steer readers eager for further adventures of these wee folk to Michael Lawrence’s Poppykettle Papers (2001). (Picture book. 7-9)

Pub Date: May 1, 2005

ISBN: 0-698-40025-9

Page Count: 48

Publisher: Minedition/Penguin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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THUNDER ROSE

Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)

Pub Date: Sept. 1, 2003

ISBN: 0-15-216472-3

Page Count: 32

Publisher: Silver Whistle/Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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