From Jack London's Call of the Wild to Gary Paulsen's many tales, the relationship between humans and dogs as they face the harsh northern climes has captivated readers. Recapitulating that theme is Blake's story of the 1,151-mile Iditarod from Anchorage to Nome; Mick's lead dog is Akiak, who pounds through wind and across snow, never getting lost. Then, on Day Four, ice jams up one of Akiak's pawpads and she is taken out of the race and almost flown home. She twists free of her handler before the plane takes off, pushes through blizzards and past checkpoints, sticking to the trail and eventually meeting up with Mick; according to the rules, Akiak cannot be harnessed up again but she does prevent her mistress from taking the wrong trail before climbing aboard the sled for the ride to a first-place finish. Blake's naturalistic icy blue paintings chronicle Akiak's independent race across lone landscapes, burrowing in snowdrifts for shelter and escaping well-meaning trail volunteers. The rugged style translates well from the ocean setting of Spray (1996) to the untamed Alaskan terrain; the textured slathers of oil paint in repeated cold tones are perfect for icy plains, tracks in the snow, and rooftop icicles. Akiak's efforts may not constitute life-and-death drama, but young readers will cheer the heroic dog on in this satisfying outdoor adventure. (Picture book. 5-10)
Pub Date: Sept. 22, 1997
ISBN: 0-399-22798-9
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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