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EYE OF THE STORM

A CIVIL WAR ODYSSEY

A fine work, as winning in its production as it is riveting in its contents, for everyone captivated by the Civil War.

The most significant parts of an extraordinary, recently discovered Civil War memoir, created in art as well as word, see the first light of day.

Sneden, a Canadian immigrant into Connecticut, joined the Union forces as a young man of 29, served in some of the worst fighting in Virginia, was captured and interned under the awful conditions of Andersonville, and lived to tell his tale. He told it in a postwar memoir (based on voluminous diaries, still lost) and a series of vivid, affecting watercolor drawings and maps, only recently found and only now becoming known. The watercolors, many of them reproduced here in beautiful renderings, record as few other known battlefield artworks the realities of fighting and imprisonment. Sneden's maps have the brilliance both of guides to land and structures and of true artistry. Fortunately, the written reports of what this soldier saw match the images captured in his art. They reveal a sensibility stripped by battle of any Victorian excess. Modern in their understatement, powerful in their simplicity and directness, they not only provide a record of the engagements and situations in which Sneden found himself—they sweep the reader along by their force and clarity. Bryan and Lankford (both of the Virginia Historical Society) have pared Sneden's manuscript memoir and selected its freshest and most compelling parts in a high act of editorial scholarship. The result is one of the most compelling additions to Civil War literature in many years.

A fine work, as winning in its production as it is riveting in its contents, for everyone captivated by the Civil War.

Pub Date: Oct. 1, 2000

ISBN: 0-684-86365-0

Page Count: 384

Publisher: Free Press

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2000

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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