Rudolph and his contribution to the Santa saga seem firmly entrenched in American Christmas tradition, and this fresh look...
The original 1939 story about a reindeer with a noteworthy nose serves as the text of this lavishly illustrated, oversize interpretation of Rudolph’s place in Christmas lore.
The cover illustration draws readers in to the story with an evocative view of Rudolph and the reindeer team pulling Santa and his sleigh through an azure sky. The paper used for the cover has a mottled, opalescent shine which, along with hazy swirls and shimmering bubbles, suggests the magical nature of flying reindeer and Santa himself. This use of glowing illumination to set a mysterious tone is repeated when Rudolph peeks into Santa’s toy sack during the Christmas Eve toy delivery, with radiant light emanating from the reindeer’s rosy nose, as it does on nearly every page. The 75-year-old rhyming story is a little too long and a little too singsong, with some of the phraseology a trifle dated for today’s children and some of the rhyming word pairs struggling to fit the meter. However, there is no other full-sized version of this original story of Rudolph with contemporary illustrations currently in print; most picture-book versions are based on the alternate television version of Rudolph’s story. (A new edition of this interpretation, retold by Thea Feldman, also publishes in 2014.)
Rudolph and his contribution to the Santa saga seem firmly entrenched in American Christmas tradition, and this fresh look at the reindeer that triumphs over rejection and a seeming disability may be a new holiday classic. (Picture book. 4-8)Pub Date: Sept. 30, 2014
ISBN: 978-1-4424-7495-6
Page Count: 40
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
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