Rudolph and his contribution to the Santa saga seem firmly entrenched in American Christmas tradition, and this fresh look...
The original 1939 story about a reindeer with a noteworthy nose serves as the text of this lavishly illustrated, oversize interpretation of Rudolph’s place in Christmas lore.
The cover illustration draws readers in to the story with an evocative view of Rudolph and the reindeer team pulling Santa and his sleigh through an azure sky. The paper used for the cover has a mottled, opalescent shine which, along with hazy swirls and shimmering bubbles, suggests the magical nature of flying reindeer and Santa himself. This use of glowing illumination to set a mysterious tone is repeated when Rudolph peeks into Santa’s toy sack during the Christmas Eve toy delivery, with radiant light emanating from the reindeer’s rosy nose, as it does on nearly every page. The 75-year-old rhyming story is a little too long and a little too singsong, with some of the phraseology a trifle dated for today’s children and some of the rhyming word pairs struggling to fit the meter. However, there is no other full-sized version of this original story of Rudolph with contemporary illustrations currently in print; most picture-book versions are based on the alternate television version of Rudolph’s story. (A new edition of this interpretation, retold by Thea Feldman, also publishes in 2014.)
Rudolph and his contribution to the Santa saga seem firmly entrenched in American Christmas tradition, and this fresh look at the reindeer that triumphs over rejection and a seeming disability may be a new holiday classic. (Picture book. 4-8)Pub Date: Sept. 30, 2014
ISBN: 978-1-4424-7495-6
Page Count: 40
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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