A colorful but uneven venture into historical fiction.
The veteran spy novelist indulges what he calls an “obsession” with Leon Trotsky to imagine the Russian’s brief New York sojourn.
Born Lev Davidovich Bronshtein, Trotsky took his better-known name from one of his prison guards. Littell mentions in a foreword that his own father was born Leon Litzky, but he had the surname legally changed in 1919 to Littell because of its resemblance to the infamous revolutionary’s nom de guerre. This nominal link is why, the novelist says, he “couldn’t resist fantasizing” about Trotsky’s 10 weeks in New York just before the 1917 revolution erupted. Trotsky sails with his longtime companion and their two sons in early 1917 to New York, where his fame has preceded him. J. Edgar Hoover conducts his immigration interview, a likely anachronism, and the press greets him on the pier. Trotsky moves into an apartment in the Bronx and begins writing for the Russian-language newspaper Novy Mir and the Jewish Daily Forward. He begins an affair with a journalist named Frederika Fedora, who has ties through her father to Mexican revolutionary Emiliano Zapata. He gives speeches and argues with various emigres and sympathizers, including Nikolai Bukharin and Eugene Debs. The average reader might be mystified by the factional nuance and rhetoric that emerge among committed Socialists, Bolsheviks, and Mensheviks. The U.S. visit comes to an end when the czar abdicates and Trotsky feels he must return to a Russia where revolution has begun again. While the historical characters are little more than foils and talking heads, Littell creates a well-rounded personality in Trotsky. Some of the character development derives from his highly active and vocal conscience, whose contrarian bent constantly tests the man’s convictions and assertions. And note that Trotsky associates his conscience with a “childhood nemesis” named Leon Litzky—which may make sense if you’re fantasizing about an obsession.
A colorful but uneven venture into historical fiction.Pub Date: Jan. 28, 2025
ISBN: 9781641296861
Page Count: 208
Publisher: Soho
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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