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TREASURE ISLAND

Avast! Young mateys not ready for the original will get an eyeful, an earful and a taste of the timeless pirate adventure...

A rousing abridgment of the classic tale is buoyed by atmospheric sound effects and hearty digital surprises.

Though not all of the 91 screens feature interactive effects, each is illustrated. These are usually multilayered and shadowy, and all are unfailingly evocative of the violent events, exotic locales and dramatic highlights young Jim describes in the overlaid narrative. Automated animations include moving strips of scenery and eerie fade-ins, among others. The frequent touch-activated features (each of which is cued by an inconspicuous icon) are an unusually diverse mix: Sliders cause figures to rise or fog to clear, spinners focus a spyglass or spin a skeleton around a compass rose, cannon fire with a tap. Three-dimensional looks are achieved with moveable scenes viewed through a window. The background audio is similarly varied, switching from a hornpipe to a melodramatic orchestral blare with a turn of the page or presenting a medley of creaking timbers, seagull cries, crashing waves and low muttering. A tap at any page’s bottom brings up buttons to turn the sound off, check a glossary or open a “Contents” strip of page-by-page thumbnails.

Avast! Young mateys not ready for the original will get an eyeful, an earful and a taste of the timeless pirate adventure that awaits. (iPad storybook app. 8-11)

Pub Date: Nov. 24, 2010

ISBN: N/A

Page Count: -

Publisher: Cyberia Media

Review Posted Online: May 9, 2011

Kirkus Reviews Issue: June 15, 2011

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CAPTAIN UNDERPANTS AND THE TYRANNICAL RETALIATION OF THE TURBO TOILET 2000

From the Captain Underpants series , Vol. 11

Dizzyingly silly.

The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.

Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.

Dizzyingly silly. (Humor. 8-10)

Pub Date: Aug. 26, 2014

ISBN: 978-0-545-50490-4

Page Count: 224

Publisher: Scholastic

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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