Next book

MEMOIRS

A rich book for scholars and fans of Lowell’s poetry.

A collection of the renowned poet’s personal writing.

At the heart of this hodgepodge of Lowell’s work is what editors Axelrod and Kosc call “My Autobiography,” mostly previously unpublished childhood memories written in the 1950s followed by writings about his severe bipolar disorder. Taken together, the editors write, “they tell a powerful story of a soul in pain and a writer searching, with courage and discipline, for a way forward,” and they provided the source material for Lowell’s influential 1959 poetry collection, Life Studies. Highly detailed, lucid, and precise, Lowell’s writing is witty, sarcastic, and revealing about himself, his parents, his beloved grandfather, and others in his orbit. The well-off Bostonian, as the editors put it, wanted “to both mock and mourn his family, his social world, himself.” Some of the writing is tinged with the elitist racism of his clan, a “declining yet still powerful white” family who “insistently disrespect[ed] people who are not ‘of the right sort.’ ” At 8, he recalls, he was “thick-witted, narcissistic, thuggish,” and poet and biographer relative “Amy Lowell was never a welcome subject in our household.” These memoirs end in 1937, followed by a section called “Crisis and Aftermath,” highlighted by “The Balanced Aquarium,” one of the longest pieces, what the editors call “postmodern psychomachy, an invocation of his internal turmoil.” In many pieces, Lowell recounts his mental torments and hospitalization. Composed from 1959 to 1977, the section titled “A Life Among Writers” is a collection of perceptive, image-laced essays, some never published before, of authors he knew: Pound, Eliot, and his “dear old friend” Randall Jarrell. Visiting elderly Tennessee poet Allen Tate, Lowell writes, “Here, like the battered Confederacy, he still lived and was history.” Robert Frost was the “best strictly metered poet in our history.” An acquaintance of Lowell’s, Sylvia Path wrote the “most perfect and powerful poems…among the melancholy triumphs of twentieth-century imagination.”

A rich book for scholars and fans of Lowell’s poetry.

Pub Date: Aug. 2, 2022

ISBN: 978-0-374-25892-4

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 9, 2022

Kirkus Reviews Issue: June 1, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 101


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Awards & Accolades

Likes

  • Readers Vote
  • 101


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

Next book

MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

Close Quickview