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LILA

AN INQUIRY INTO MORALS

Pirsig's absorbing second novel, appearing nearly two decades after Zen and the Art of Motorcycle Maintenance, continues where his former work left off—in an exploration of the Metaphysics of Quality set against a journey by sailboat to the Atlantic Ocean. Phaedrus, peripatetic author of a successful book about motorcycles, is once again on the road in this philosophical odyssey—or rather on the Hudson River, as he makes his way toward the Atlantic and, eventually, Florida. His initial goal was to isolate himself sufficiently to complete his second novel, which currently consists of hundreds of notes that he regularly reorganizes and stores in rusty card-catalogue drawers. But isolation is the last thing a sailboat captain experiences on the water, Phaedrus discovers, and it's just as well, because his encounters with Lila (an aging former prostitute), Richard (her childhood friend), and assorted others along his journey inspire even more exciting concepts for his philosophical book. Chief among these is the concept of "quality" or value, which Phaedrus posits as the basic organizing principle of the universe. Shifting away from the Western world's reliance on subject-object and cause-and- effect relationships, Phaedrus suggests that everything is instead an expression of more or less quality, and that evolution moves not toward survival of the fittest but toward higher forms of value. While Phaedrus teases a "scientifically-based" morality out of this concept (lower forms of quality, such as individual humans, should be sacrificed if necessary in favor of higher forms, including society and, even higher, ideas), Lila begins exhibiting psychotic behavior and Richard becomes increasingly irritated with Phaedrus' abstract, self-absorbed pose. Readers may occasionally feel the same irritation—scenes that advance the plot seem carelessly scribbled in the author's hurry to get back to his theory—but as ever Pirsig's provocative ideas far outweigh such drawbacks. Engrossingly, utterly Pirsig—fans will not be disappointed.

Pub Date: Oct. 15, 1991

ISBN: 0553299611

Page Count: 416

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1991

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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ROSE BOOK OF BIBLE CHARTS, MAPS AND TIME LINES

Worthwhile reference stuffed with facts and illustrations.

A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.

This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.

Worthwhile reference stuffed with facts and illustrations.

Pub Date: Sept. 1, 2005

ISBN: 978-1-5963-6022-8

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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