Next book

VOYAGES OF THE PYRAMID BUILDERS

THE TRUE ORIGINS OF THE PYRAMIDS FROM LOST EGYPT TO ANCIENT AMERICA

Gee-whiz industriously wrapped in solid science.

With an assist from Robert Aquinas McNally, his coauthor for Voices of the Rocks (1999), but using the first person throughout, Schoch again asserts that the conventional view about the rise of civilization is both untimely and wrong.

As before, Schoch (Mathematics and Science/Boston Univ.) also works initially from the Sphinx at Giza with its accompanying pyramids and other structures, citing rock types and weathering effects he interprets as proof that the great stone beast is up to 3.5 millennia older than most Egyptologists believe. Thus it predates the Mesopotamian civilization that according to academia predated the Egyptian. Schoch immediately proffers the notion that ancient pyramids—similar, not identical, to those built by the Sphinx-builders—are found in every continent on the globe except Australia and Antarctica. Some readers may sense the stuff of Sunday comics to follow, but the professor does not stoop. His case for the existence of prehistoric cultured societies with both the inclination and capability to spread their influence and hallmarks around the globe, including the Americas, is carefully crafted. Artifacts like Roman masons’ marks found on Mesoamerican stonework, cultural “coincidences” (e.g., both the Aztecs and ancient Chinese looked at the moon and saw a rabbit, not a man’s face), and even Old World plants and animals (mummified dogs in Peru resembling those of Egypt) have all been scientifically shown to predate the “first contact” voyages of Columbus. The presentation of this material is as entertaining as science-writing gets, and Schoch doesn’t shrink from debunking spurious “facts,” whether they support his case or not. As for ocean barriers, the 20th-century rafting and reed-boat adventures of, respectively, Kon-Tiki and Ra speak for themselves, he says. His theory that huge astronomical disasters like comets or meteor strikes provided the incentive for ancient mass migrations comes, however, as an extended anticlimax.

Gee-whiz industriously wrapped in solid science.

Pub Date: Feb. 1, 2003

ISBN: 1-58542-203-7

Page Count: 352

Publisher: TarcherPerigee

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2002

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview