by Robert M. Schoch ‧ RELEASE DATE: Feb. 1, 2003
Gee-whiz industriously wrapped in solid science.
With an assist from Robert Aquinas McNally, his coauthor for Voices of the Rocks (1999), but using the first person throughout, Schoch again asserts that the conventional view about the rise of civilization is both untimely and wrong.
As before, Schoch (Mathematics and Science/Boston Univ.) also works initially from the Sphinx at Giza with its accompanying pyramids and other structures, citing rock types and weathering effects he interprets as proof that the great stone beast is up to 3.5 millennia older than most Egyptologists believe. Thus it predates the Mesopotamian civilization that according to academia predated the Egyptian. Schoch immediately proffers the notion that ancient pyramids—similar, not identical, to those built by the Sphinx-builders—are found in every continent on the globe except Australia and Antarctica. Some readers may sense the stuff of Sunday comics to follow, but the professor does not stoop. His case for the existence of prehistoric cultured societies with both the inclination and capability to spread their influence and hallmarks around the globe, including the Americas, is carefully crafted. Artifacts like Roman masons’ marks found on Mesoamerican stonework, cultural “coincidences” (e.g., both the Aztecs and ancient Chinese looked at the moon and saw a rabbit, not a man’s face), and even Old World plants and animals (mummified dogs in Peru resembling those of Egypt) have all been scientifically shown to predate the “first contact” voyages of Columbus. The presentation of this material is as entertaining as science-writing gets, and Schoch doesn’t shrink from debunking spurious “facts,” whether they support his case or not. As for ocean barriers, the 20th-century rafting and reed-boat adventures of, respectively, Kon-Tiki and Ra speak for themselves, he says. His theory that huge astronomical disasters like comets or meteor strikes provided the incentive for ancient mass migrations comes, however, as an extended anticlimax.
Gee-whiz industriously wrapped in solid science.Pub Date: Feb. 1, 2003
ISBN: 1-58542-203-7
Page Count: 352
Publisher: TarcherPerigee
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2002
Share your opinion of this book
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.