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THE LANCE AND THE SHIELD

THE LIFE AND TIMES OF SITTING BULL

Enormous, groundbreaking biography of the great Lakota Sioux war chief (c. 1831-90). To date, the standard biography of Sitting Bull has been Stanley Vestal's Sitting Bull, Chief of the Sioux, written decades ago and more a triumph of literature than of history. Now, utilizing Vestal's original notes (collected in the 1920's and 30's and featuring interviews with many warriors who knew Sitting Bull intimately), as well as his own extensive research, Utley (Billy the Kid, 1989, etc.) has forged a new portrait of the Sioux warrior that places him squarely within his social and historical context. Whether Utley succeeds in his ambition of writing from both white and Native American perspectives is arguable—can anyone merge the two?—but he details with exquisite care and objectivity the life of the Lakota in the post-Civil War era, along with the intentions and actions of the Federal government. Into this powder-keg situation was born Sitting Bull, who soon demonstrated the revered Lakota male traits of bravery, humility, wisdom, and generosity. Utley, benefiting greatly from massive recent scholarship, traces Sitting Bull's rise as a war chief and as a wichasha wakan (holy man) with greater sensitivity to Native American ways than did previous biographers. In doing so, he puts the lie to earlier portraits of Sitting Bull as a cowardly ``pretender to high rank,'' revealing him as the supreme Sioux chief, a man ``distant and aloof from all whites,'' obsessed with his people's freedom, perhaps too stubborn but unquestionably a ``towering figure.'' Even the years of defeat—including a stint with Buffalo Bill's circus—shine with dignity, and Utley shows that Sitting Bull's death—which the author, going against popular belief, argues was not an assassination but an accident—marked a tragic loss for all Americans, white or Native American. The new standard against which all future lives of Sitting Bull will be measured. (Thirty-two b&w photographs, three maps) (History Book Club Main Selection)

Pub Date: June 22, 1993

ISBN: 0-8050-1274-5

Page Count: 576

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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