Next book

MAGDALENA MOUNTAIN

Worthy company for work by other naturalist/novelists: Nabokov, Matthiessen, Kingsolver.

An elegant, eccentric novel of love, loneliness, and lepidoptera.

There’s plenty of clef in this debut novel by noted naturalist Pyle (Through a Green Lens: Fifty Years of Writing for Nature, 2016, etc.), in which a Yale-educated scholar of butterflies finds himself on a mountain in Colorado among grylloblattids, ptarmigan, and city-fleeing monks in search of—well, himself, for one thing, but also a species of butterfly that has made its home in the world there: “A minute tube of life,” Pyle writes of one nascent representative, “he sleeps on as the world of Magdalena Mountain freezes, solid and pale.” Erebia magdalena is the true hero of Pyle’s nature-rich tale, wanting only a little room to flutter and reproduce in the short span of life allotted to it. Complicating the picture is James Mead, our intrepid scientist hero, who confides to his diary, “All I want for Christmas is a Magdalena,” but who, in the spirit of discovery, has plenty of other questions, too—for one, why Magdalena Mountain bears that name. Answering some of them is the enigmatic Mary Glanville, a medical mystery: She’s survived a long fall off the mountain, has suffered a trauma whose “exact nature…is puzzling,” and now identifies with Mary Magdalene. (“I do not advertise the fact widely, for reasons that will be clear to you if you have ever been incarcerated,” she tells James.) Mary has fled a group home in Denver in a season and place where fresh snow falls on the old slush “like a clean diaper over a dirty one,” and on the mountain she falls in with a community of monks who just happen to bear butterfly-ish names like Xerxes, Oberon, and Attalus. Not all of them are on the up-and-up, leading to a craggy chase scene that would do Zane Grey proud. The story is a touch predictable at moments, but mostly Pyle pulls off some pleasing surprises, and with a butterfly-light touch.

Worthy company for work by other naturalist/novelists: Nabokov, Matthiessen, Kingsolver.

Pub Date: Aug. 21, 2018

ISBN: 978-1-64009-077-4

Page Count: 400

Publisher: Counterpoint

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

NORMAL PEOPLE

Absolutely enthralling. Read it.

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

Categories:
Next book

THE BLUEST EYE

"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.

Pub Date: Oct. 29, 1970

ISBN: 0375411550

Page Count: -

Publisher: Holt Rinehart & Winston

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Oct. 1, 1970

Categories:
Close Quickview