by Robert Morgan ‧ RELEASE DATE: Aug. 27, 2013
A moving, lyrical saga from a time so distant, yet so near.
Morgan (Brave Enemies, 2003, etc.) returns to western North Carolina and the Richards family saga.
Deep in the Blue Ridge Mountains, along the Green River, under Mt. Cicero, Hank and Julie Richards move their family from Gap Creek to a small, hardscrabble farm. There, they endure the Great Depression and World War II, stoically facing death and disease, hope and triumph. It’s Annie, their younger daughter, who narrates, harking back to the family’s trek from Gap Creek to Green River, road "froze as stiff as chalk," and ending her story as a grown woman birthing a daughter, realizing "having your own baby makes you feel connected...taking part in the future and with the people that come before you." Recreating the rural mountain South not yet 100 years past, Annie tells of Old Pat, a purebred German shepherd given to her brother, Troy, as payment for summer work. She offers stories of Muir and Moody Powell, twins from a nearby farm, one ambitious to preach, the other preferring to gamble and run moonshine. She remembers tramps and hobos, Julie offering at least fresh milk and cornbread even if cupboards were bare. The novel begins in 1943 with Troy’s death, a casualty in a bomber crash in England. Julie’s shattered, and she "sealed up her thoughts and grief inside her and she wouldn’t let any of us touch it." But even the dead live in the soulful narrative. Troy, gentle, artistic, is home on leave and must put down Old Pat after she’s horribly maimed by a firecracker. A tortured misfit stands in church to claim Troy’s death is God’s retribution, and the family sits silently. A troubled veteran, the new husband of Troy’s former fiancee, drags her away from Troy’s post-war burial at gunpoint. Morgan pens an eloquent story of stoicism and pain, endurance and courage, ending, as all life will, with death and birth.
A moving, lyrical saga from a time so distant, yet so near.Pub Date: Aug. 27, 2013
ISBN: 978-1-61620-161-6
Page Count: 352
Publisher: Algonquin
Review Posted Online: July 1, 2013
Kirkus Reviews Issue: July 15, 2013
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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