Not entirely to contemporary tastes but a valuable addition to modernist European literature.
A reconstructed novel that brings a “forgotten sister” to play in a winding narrative.
Now considered a classic of early-20th-century literature, Musil’s The Man Without Qualities (1943) presents a neurasthenic fellow who lives entirely too much inside his own head, a mathematician who is indifferent to bourgeois life but partakes of it all the same. At the start of the present novel, Frankensteined from chapters of the former and bits of the thousands of pages of manuscript Musil left behind, Ulrich is disembarking from a train: “Drops of the general conversation that had seeped into him during the trip were now draining away,” and now, preparing for the funeral of his father—who has helpfully sent notice of his own impending death—he’s left to his own musings. There’s plenty to think about: His long-lost younger sister, Agathe, widowed and remarried, is in town for the occasion, and she announces that she’s leaving her husband, a bore of a pedagogue. “Let him sue!” she says brightly, whereupon Ulrich is moved to remark, in his otherworldly way, “inner oblivion is more loathsome than anything.” In time, Agathe has moved in with Ulrich, and the relationship becomes—well, let’s just say there are universal strictures governing their behavior, which, though more cerebral than physical, in fact does have something of the physical to it “that with great tenderness paralyzed their limbs and at the same time enchanted them with an indescribable sensitivity.” This is very much a European sort of tale, reminiscent of Goethe here and Pessoa there, without much in the way of action but very long on talk—talk of love here, of misunderstanding and grief there: “Someone who talks a lot," says Ulrich, “discharges another person’s grief drop by drop, the way rain discharges the electricity in a cloud.” That, or the chatterbox numbs the listener, which happens from time to time even as Musil carefully structures his twisting, unexpected storyline.
Not entirely to contemporary tastes but a valuable addition to modernist European literature.Pub Date: Dec. 3, 2019
ISBN: 978-1-68137-383-6
Page Count: 464
Publisher: New York Review Books
Review Posted Online: Sept. 12, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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