by Robert O'Harrow Jr. ‧ RELEASE DATE: Jan. 12, 2005
Skillful chart of a surveillance society out of control. The question is: Who will snoop on the snoopers, and what laws will...
Washington Post reporter O’Harrow investigates the possibilities of maintaining privacy protections in the wake of increased surveillance after 9/11. At this date, the picture is grim.
“The attacks on the World Trade Center and the Pentagon reignited and reshaped a smoldering debate over the proper use of government power to peer into the lives of ordinary people,” he writes. Databases and dossiers, surveillance cameras, biometrics, even “non-invasive neuro-electric sensors”: the information highway meets national insecurity. From Starbucks to the subway to the sidewalk, you are being watched, every electronic transaction recorded. Your personal identification material, your eating and sexual preferences, your family history are all probably on a chip somewhere, easily accessible. Personal data is now a full-blown commodity, bought and sold like sow bellies. Although O’Harrow voices a clear concern over the ethics of such snooping, he concentrates on the nature and tools of data collection, persuasively delineating how that information is abused and how unavoidable mistakes have profound consequences. Exacerbating this problem is the rising incidence of identity theft, thanks to the ease with which databases can be accessed. With visions of COINTELPRO, J. Edgar Hoover, and Joseph McCarthy dancing in his head, O’Harrow is deeply wary of John Ashcroft’s desire to gut the Privacy Act of 1974. He keeps a level tone, never getting frantic, but then he doesn't have to. The horror stories speak for themselves: people whose credit ratings have been destroyed because of foul-ups, people who have been arrested because they happened to have the same name as a criminal, people grilled by security personnel because they fit a certain profile, political activists tagged as “criminal extremists.” In each case, O'Harrow shows, it was a Sisyphean task to get the records set straight—and forget about an apology.
Skillful chart of a surveillance society out of control. The question is: Who will snoop on the snoopers, and what laws will keep them in check?Pub Date: Jan. 12, 2005
ISBN: 0-7432-5480-5
Page Count: 308
Publisher: Free Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2004
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou
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by Maya Angelou
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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