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BAND OF ANGELS

Warren, Pulitzer prize winner, erratic genius, poet, philosopher, novelist, short story writer, has written a provocative, at times brilliant book, which attacks from a different angle, the always moot subject of miscegenation and its aftermath. Kentucky and Louisiana, spanning the pre-Civil War and Reconstruction years, once again provide a background. Manty Starr, only child of a "widowed" plantation owner, is now spoiled and cherished, now rejected. A stormy interlude at a school above the line fires her with abolitionist philosophy, which her father pushes aside. Then, at her father's grave, Manty learns that she is his chattel, child of a slave, subject to seizure for his debts. The balance of the book is her own tragic tale of a lifelong search for freedom, again and again with her grasp. But manumission papers prove insufficient to free her spirit. Escape from Hamish, the good man who had given her protection, is not the answer. The tie with Shaddy, grizzled old Negro whom her father had sold when he threatened her childhood security; with Seth Parton, twisted fanatic who would not allow himself to love her; with Rau-ru, free slave plantation manager, linked with old Hamish' unsavory past; with Tobias, northerner, trying to escape the net of his father's power, by taking over New Orleans' Freedman's Bureau all played their part in Manty's search for a way of life. She could not escape the fears and memories and suspicions of her past. Tobias, knowing- she is led to believe- her guilty secret, loves And marries her. But their life together, as he spirals downward, is her constant cross. It takes 25 years before they learn that freedom lies within themselves. The book is uneven in development, often confused in conveying the underlying philosophy. But when the words are found and the meaning comes through, the reader finds reward. The moods and passions of a tortured era provide parallel backgrounds; now and again rare beauty comes alive in poetic passages. As September Literary Guild selection, many of the hurdles will be taken.

Pub Date: Aug. 22, 1955

ISBN: 0807119466

Page Count: 396

Publisher: Random House

Review Posted Online: Oct. 6, 2011

Kirkus Reviews Issue: Aug. 1, 1955

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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