by Robert Priest ‧ RELEASE DATE: March 1, 1999
The leap-at-you color and elegantly stylized illustrations, resembling airbrushed linoleum-cuts, give this book an instant allure; the story—a noble tale of character and social leveling, mock drama and high mirth—more than meets the expectations aroused by that first impression. A retired pirate, out on a stroll in Central Park, is prompted by his memories to build a scale-model replica of his pirate ship and launch it in the park’s sailboat pond. All is shipshape until an old queen arrives and has her servant launch an outsized liner—the S.S. Uppity Duchess. The liner barges about, swamping the other boats in the pond, but at the pirate’s suggestion to slow her vessel, the queen opens fire on his ship. He responds with a broadside of his own and a great battle ensues; tiny cannonballs zing this way and that, people take cover, dogs and young children run riot, taxis on Fifth Avenue come to a halt. Then the queen calls a truce; she’s in need of a nap, and from that need—which the pirate shares—flows the notes of reconciliation. “Peace and tranquility once again reigned at the pond. Sails were set, dogs recaptured, and gentle laughter returned to the soft summer air of New York City.” Priest tells the story with dash and verve, whether in a turn of phrase or a line of art; it not only features a contemporary city with one of its great pleasures—the park—in full flower, but a realm in which the wish for a little rest outweighs the wages of war. (Picture book. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90505-2
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
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by Robert Priest & illustrated by Robert Priest
by Maryann Cocca-Leffler ‧ RELEASE DATE: March 1, 2000
cannoli cream off your fingers. (Picture book. 5-8)
Transporting us back to a time when cars had fins, eyeglasses had points, and women wore high heels to go shopping,
Cocca-Leffler (Mr. Tanen’s Ties, 1998) has crafted a perfectly simple and engaging story out of a day spent shopping. The narrator lives on a street that’s on the bus route to the big city of Boston, and all the neighborhood kids get to know Bill the bus driver. One Saturday, Mom and her two daughters take Bill’s bus to Filene’s Basement, where they hunt for bargains and cap the day with ice cream. Another Saturday, Bill takes them to the Italian North End, where they visit the butcher and the baker and vegetable stands, ending with delicious cannoli, which they eat on the bus ride home. The last cannoli always goes to Bill, who calls the trio his "cannoli girls." The acrylic-on-gesso illustrations fill the pages to their edges with cheerful cityscapes, figures, and architecture alike, rendered in bright, affectionate hues. Warm, winning, and as satisfying as licking
cannoli cream off your fingers. (Picture book. 5-8)Pub Date: March 1, 2000
ISBN: 1-56397-723-0
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
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by Maryann Cocca-Leffler ; illustrated by Maryann Cocca-Leffler
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by Maryann Cocca-Leffler ; illustrated by Vivien Mildenberger
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by Maryann Cocca-Leffler & Janine Leffler ; illustrated by Maryann Cocca-Leffler
by Scott Santoro ‧ RELEASE DATE: May 1, 1999
Newcomer Santoro’s story of the ice cream truck that pined for a more important role in life suffers from a premise that’s well-worn and still fraying—the person or object that longs to be something “more” in life, only to find out that his or its lot in life is enough, after all. Isaac the ice cream truck envies all the bigger, larger, more important vehicles he encounters (the big wheels are depicted as a rude lot, sullen, surly, and snarling, hardly a group to excite much envy) in a day, most of all the fire trucks and their worthy occupants. When Isaac gets that predictable boost to his self-image—he serves up ice cream to over-heated firefighters after a big blaze—it comes as an unmistakable putdown to the picture-book audience: the children who cherished Isaac—“They would gather around him, laughing and happy”—weren’t reason enough for him to be contented. Santoro equips the tale with a tune of Isaac’s very own, and retro scenes in tropical-hued colored pencil that deftly convey the speed of the trucks with skating, skewed angles. (Picture book. 4-8)
Pub Date: May 1, 1999
ISBN: 0-8050-5296-8
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
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by Scott Santoro & illustrated by Scott Santoro
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