A highly original courtroom drama ripped from the headlines and then some.
An attorney returns to his hometown of Cole’s Crossing, Alabama, on behalf of a client who looks as if she hasn’t got a prayer of acquittal.
Destiny Grace Harper was pregnant with daughters afflicted by rare twin-to-twin transfusion syndrome that condemned them to likely death unless their mother underwent fetoscopic laser surgery, a procedure she rejected at the behest of Rev. Jeremiah Tipple, the pastor of the Church of Our Lord’s Rapture. Now that she’s fled her home and delivered two babies, one stillborn, the other dead within minutes, the state of Alabama has put her on trial for capital murder. Her mother, LeAnn Harper, whom the good pastor excommunicated after her cancer surgery, offers little help beyond urging her to replace public defender Aruna Patel Higgins with someone more effective; Rev. Tipple refuses to testify about Destiny’s motives; and Judge Merle Barraclough purges the jury pool of anyone who supports abortion. So Elvis Henderson, the former local boy turned attorney whose boss in Laredo takes on the case pro bono, has his work cut out for him. “My client is being tried for felony pregnancy,” he maintains, and it would be hard to disagree with him in a more sympathetic venue. As the story unfolds, Elvis’ attempt to prove that his client acted out of religious convictions that no one close to her is willing to document gets increasingly tangled with his own checkered past in Cole’s Crossing, a past that’s won him more than his share of enemies. Even though the case revolves around whydunit, not whodunit, Rotstein does an admirable job keeping up the tension en route to a series of surprising surprises.
A highly original courtroom drama ripped from the headlines and then some.Pub Date: June 25, 2024
ISBN: 9798200954506
Page Count: 350
Publisher: Blackstone
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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