by Robert Shogan ‧ RELEASE DATE: June 1, 2004
A mesmerizing, rarely mentioned piece of labor history, crackingly told. (10 b&w photographs, not seen)
A stunning re-creation of the great West Virginia uprising of 1921, when some 10,000 armed miners confronted coal operators and their hired guns in an attempt to unionize.
After WWI, President Wilson’s New Freedom was out, as were idealism, the rights of labor, and dissent. “The conservative trend was also marked by an enhanced reverence for free enterprise, its leaders and all their works, an attitude which served to reinforce the resistance of these worthies to the demands of labor,” writes former political correspondent Shogan (War Without End, 2002, etc.; Government/Johns Hopkins), sounding more like Big Bill Haywood than the free-thinking historian he mostly proves to be in these impassioned pages. Inflation was wrecking the old wage structure; demand was falling in the postwar economy. The United Mine Workers (UMW) had adopted the new work-within-the system unionism of Samuel Gompers, but in West Virginia, a more radical faction also had a change in the political landscape on their minds. It was obvious, Shogan writes, that all the West Virginia coal mines had to be unionized, or the nonunion mines would offset the production stoppages of the striking mines, giving the union a case of the dwindles. Wilson's swing to the right, the difficulties of unionizing the disparate West Virginia working classes, the role of federal troops, ancient enmities, and conspicuous actors like Sid Hatfield (yes, of those Hatfields), who turned a blood feud into union resistance, are among the volatile ingredients Shogan blends into a zesty narrative stew. He suggests that America’s “promise of opportunity, individual freedom and fairness under the law” led the miners to lay down their arms, but leaves open the possibility that they may have simply had a good sense of bad timing. Indeed, the time would never be right in West Virginia for social justice, though unions prompted employers to throw the populace a few economic sops.
A mesmerizing, rarely mentioned piece of labor history, crackingly told. (10 b&w photographs, not seen)Pub Date: June 1, 2004
ISBN: 0-8133-4096-9
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2004
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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