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ENEMY QUEEN

A hilarious dark comedy that explores the nature of friendship through the lens of sexual licentiousness.

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Two roommates—an attorney and a professor—share a young woman sexually, a sordid arrangement that turns dangerous in this novel.

Stanley Berman and Thomas McClellan both work at North Carolina University—the former as its head attorney and the latter as a professor of creative writing in the English department. They’re also roommates joined by a profound but lighthearted sense of camaraderie—they spend their days drinking fine wine, playing chess, and gamely arguing “like an old married couple.” Both are romantically unattached—in fact, Stanley is twice divorced, and Thomas thrice. Sexually frustrated, Thomas concocts a peculiar plan, a way to consummate their friendship heterosexually, not platonically. He’ll find them a “go-between,” a young woman they can both bed and, by some incestuous transitivity, sleep “with each other through her.” Ideally, she would move in and keep house, too. Astonishingly, Thomas finds someone: Victoria Templeton, a beautiful, vivacious young woman who aspires to be a “lady writer.” She audits Thomas’ writing class and quickly becomes embroiled in a bizarre sex triangle with the two men, the increasingly inventive choreography of which is amusingly described by Goldstein (The Swami Deheftner, 2013). But their arrangement starts to sour when the two friends both tire of her quirks and then become frightened by her domineering narcissism. She compels them to wear “chastity devices” to prevent them from masturbating. Deciding she’s “deranged,” they plot to get rid of her but anxiously worry how she’ll respond, especially after she issues a thinly veiled threat: “If people found out that a tenured professor and the university counsel were doing this kind of threesome with a young woman, don’t you think they’d find it inappropriate?” The author’s humor is as deliciously subversive as Thomas considers himself to be—raunchily funny and psychologically daring. In addition, the relationship between the two protagonists—despite the boundaries it luridly transgresses—is brilliantly wholesome, even touching. Each paragraph of the story is as unpredictably peculiar as the next—the plot is a tantalizingly original puzzle, dramatically gripping, erotically electric, and satisfyingly weird.

A hilarious dark comedy that explores the nature of friendship through the lens of sexual licentiousness.

Pub Date: May 12, 2020

ISBN: 978-1-68463-026-4

Page Count: 320

Publisher: SparkPress

Review Posted Online: May 22, 2020

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  • New York Times Bestseller

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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