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MY FAVORITE BAND DOES NOT EXIST

Will the band get back together, or will the world end? Who cares? (Science fiction. 14 & up)

Guys with weird names, girls with creepy tattoos and a splintered universe form the core of this novel that’s so meta it loses itself to its own cleverness.

Idea Deity (yes, that’s his real name) spends most of his life inventing the online world of Youforia, a rock-’n’-roll band that’s taken the Internet by storm, even though they don’t exist. He suffers from Deity Syndrome, a fear that he might exist only in the pages of a novel. Somewhere else lives Reacher Mirage, the lead singer of Youforia, a band that’s taken the Internet by storm, even though they’ve never recorded a song or an album. Neither knows the other exists. Both have girlfriends with strangely similar names and tattoos, and both are reading a hokey horror/fantasy novel called Fireskull’s Revenant with two warring characters who might hold a clue to their existence. Bizarre? Yes. Complex? Yes. Hard to follow? Absolutely. Jesschonek’s puzzling, if ambitious debut mashes too many characters, too many plots and too many oddities together, making it more of a hot mess than a cohesive narrative. Just when readers think they’ve wrapped their brains around what’s going on, he throws another curve ball. The back stories to Idea’s and Reacher’s lives aren’t revealed until the end, and by then readers might have already given up.

Will the band get back together, or will the world end? Who cares? (Science fiction. 14 & up)

Pub Date: July 11, 2011

ISBN: 978-0-547-37027-9

Page Count: 336

Publisher: Clarion Books

Review Posted Online: June 7, 2011

Kirkus Reviews Issue: June 15, 2011

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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