A valuable addition to the literature on the digital age.
A provocative and far-reaching account of how capitalism has shaped the Internet in the United States.
Writing from a liberal viewpoint, McChesney (Communication/Univ. of Illinois; Communication Revolution: Critical Junctures and the Future of Media, 2007, etc.) argues that an economic system designed to produce “endless profits by any means necessary” has undermined the democratic potential of the Internet. “For all of the digital revolution’s accomplishments, it has failed to deliver much of the promise that was once seen as inherent in the technology,” he writes, echoing words that many readers will recall hearing about the failed early promise of TV broadcasting. Rather than becoming a noncommercial zone that builds greater political participation and ends widespread inequality and corporate monopolies, the Internet has been commercialized and monopolized. Drawing on the research of critics and scholars, the author traces the many ways in which wealthy interests have shaped the Internet and adversely affected American society, promoting inequality and hypercommercialism. Specific topics include the decline in enforcement of antitrust laws, the increase in patents on digital technology, and the dominance of Google, Microsoft and other firms. McChesney builds on his earlier work to detail the many ways in which the Internet has harmed professional journalism and limited the vital watchdog role of American newspapers, which have lost their allure for profit-seeking investors. The author concludes that reforms will not save the democratic promise of the Internet; rather, Americans must spur the rise of a new political economy based on nonprofit and noncommercial institutions.
A valuable addition to the literature on the digital age.Pub Date: March 5, 2013
ISBN: 978-1-59558-867-8
Page Count: 320
Publisher: The New Press
Review Posted Online: Feb. 3, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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