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THE MORAL ANIMAL

EVOLUTIONARY PSYCHOLOGY AND EVERYDAY LIFE

Many readers will feel uneasy reading Wright's dark and cynical portrayal of human nature, but he does a superb job of...

A provocative book by a senior editor of the New Republic, author of Three Scientists and Their Gods (1988), examining the vibrant new science of evolutionary psychology.

Even though, according to this science, natural selection has molded human nature into a deterministic pattern of selfish behavior, says Wright, there is still hope for developing a common moral outlook as long as we accept the ramifications of our evolutionary legacy. Natural selection insures that individuals are subconsciously preoccupied with the propagation of their genes. Although the cold, underlying logic of natural selection doesn't care about our happiness, it fools us into thinking that by pursuing goals that make us happy, we will maximize our genetic legacy. Lost in this pursuit is any genuine concern about community welfare. This volume covers much of the same ground as William Allman's superb overview The Stone Age Present. Wright extends Allman's arguments in much richer detail and a more authoritative tone, although he explains the science in a more roundabout manner. He weaves a complex and fascinating treatise in explaining the paradox of how society can engender moral and responsible actions when a strict Darwinian interpretation implies that human behavior is deterministic. Wright resolves this paradox by arguing that once people understand the Darwinian paradigm, they will understand their own subconscious motives, which is the first step towards addressing the bias toward self that natural selection instills in our minds.

Many readers will feel uneasy reading Wright's dark and cynical portrayal of human nature, but he does a superb job of anticipating questions and objections. He points to a growing body of evidence that says this is the way we are whether we like it or not, and he argues we're better off if we accept this fact.

Pub Date: Sept. 1, 1994

ISBN: 0-679-40773-1

Page Count: 480

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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