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THE FOUNDATION

A potentially gripping tale undermined by its frustrating heroine.

A young lawyer neglects her friends and family as she stubbornly tries to help a sex trafficking victim in Carr’s (The Vernazza Effect, 2013) second novel.

Attorney Tara Collins unexpectedly receives a large sum of money as a gift from her newly married best friend Ella. With it, she decides to create a nonprofit foundation within her San Francisco law firm to help those who can’t afford legal aid. Its board is made up of Assistant District Attorney Brett, who happens to be Tara’s secret boyfriend; social worker Chad; and journalist Jordan (who bizarrely reports on both the law firm and the foundation, in a seemingly textbook case of conflict of interest). For the foundation’s fourth case, she convinces the board members to take on Ashlee, a young teen who was found beaten and left for dead in an alley. Ashlee is too frightened to talk, so Tara begins spending nights with her in the hospital and playing private detective in between visits. Her actions begin to concern Brett and her other colleagues, who insist that she involve the police. Some readers will admire the go-it-alone bravado of the workaholic, emotional Tara. Others, however, may be less impressed by her lack of sense as she jeopardizes her relationships as well as the personal safety of everyone around her. She also undermines her chances of putting away a very bad man due to her dogged insistence on solving the case alone. On the surface, it’s a noble cause, but it may become difficult for readers to applaud her as she continues to take misstep after misstep. (Relief comes, however, when the narrative focuses on Alexander, Ashlee’s high-flying pimp.) The novel’s opening and closing chapters are also lengthy and uninspired. However, patient readers may still find a compelling story about surviving forced prostitution here.

A potentially gripping tale undermined by its frustrating heroine.

Pub Date: Aug. 6, 2014

ISBN: 978-0692201022

Page Count: 412

Publisher: CreateSpace

Review Posted Online: Oct. 18, 2014

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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