bookshelf

FIREFLIES

Name: FIREFLIES
Author: Roberto Aliaga
ISBN: 978-84-16733-54-5

by Roberto Aliaga ; illustrated by Miguel Ángel Díez ; translated by Jon Brokenbrow ‧ RELEASE DATE: Nov. 5, 2019

For those who have lost home; for those who will always be searching.

bookshelf

Themes of displacement, community, and facing the unknown suffuse this picture book.

White text pops off warm, nighttime-blue double-page spreads. Dots of yellow light from anthropomorphic “fireflies” feel familiar and welcoming. The glowing fireflies have very human bodies, translucent wings, pale complexions, and elfin noses; they wear unremarkable Western clothing. Despite their transcendent qualities, the fireflies encounter very human needs of food and home as their dwellings in a city park are destroyed by excavators. With the spirit of a road trip, this existential quest commences as the intergenerational group soars through the evening with suitcases and maps in hand. Whether it’s due to a forgotten teddy, lost friends, or a misplaced sense of direction entirely, each featured firefly relies on encouragement from another in the party for the necessary confidence to move along. The ceaseless night and the uncertainty among so many fireflies remind readers that sometimes a destination will remain elusive, particularly for those forced into movement. The distinctive feel of stone-paper pages is a grounding complement to the uprooted nature of this narrative about a group of people involuntarily searching for a new home.

For those who have lost home; for those who will always be searching. (Picture book. 4-7)

Pub Date: Nov. 5, 2019

ISBN: 978-84-16733-54-5

Page Count: 28

Publisher: Cuento de Luz

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES | CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
THE LITTLE GOLDEN KEY
by Roberto Aliaga ; illustrated by Dani Padrón ; translated by Jon Brokenbrow

- BOOK REVIEW
A NIGHT TIME STORY
by Roberto Aliaga & illustrated by Sonja Wimmer

bookshelf

ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

bookshelf

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

bookshelf

TINY T. REX AND THE IMPOSSIBLE HUG

by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019

Wins for compassion and for the refusal to let physical limitations hold one back.

bookshelf

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)