Each story reveals a centrifugal writer with a brilliant command of words and no fear of a plot’s getting away from him.
A posthumous triad of novellas by Bolaño, postmodernist par excellence, late of Chile, Mexico, and Spain.
“It’s…a novel (like all novels, really) that doesn’t begin in the novel, in the book-object that contains it, understand? Its first pages are in some other book, or in a back alley where a crime has been committed.” So says a mysterious caller to a young intellectual named Diodorus Pilon in the first novella, French Comedy of Horrors, summoning him to Paris to join the Clandestine Surrealist Group—a group so shadowy that no one quite knows what it is. Will he answer the call? Only Bolaño knows. The title piece is similarly far-flung, with our narrator starting off in Chile, moving north to Mexico, land of those cowboy graves, and then returning to Chile just in time, the chronology suggests, to get caught up in Pinochet’s fascist coup of 1973. As ever, the story contains a classic improbability: The narrator, just 15, is an accidental reader of the poet Nicanor Parra and goes off in quest of him while getting ready to leave Chile: “I didn’t know where he lived, of course….From the start, I suspected that it would be hard to get there and just as hard to get back.” The science fictional, Jesuit-twitting story within the story is vintage Bolaño while Fatherland, the third novella, is especially fragmentary and inconclusive. Set in Concepción, along the central Chilean coast, it’s a whirl of volcanoes ever about to erupt, of a Nazi fighter that appears in the skies overhead, and of the steady devolution of humankind: “We’ve progressed from the perfect execution to the concentration camp and the atomic bomb.” In an afterword, the Spanish poet Juan Antonio Masoliver Ródenas notes that the first and third stories were written in the 1990s and the second in 2002-2003, concurrently with books such as Distant Star and The Savage Detectives and perhaps even part of them at one time, which makes them no less enigmatic.
Each story reveals a centrifugal writer with a brilliant command of words and no fear of a plot’s getting away from him.Pub Date: Feb. 16, 2021
ISBN: 978-0-7352-2288-5
Page Count: 208
Publisher: Penguin Press
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
PERSPECTIVES
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