A stunning journey back to ancient Greece with Italian author Calasso, who, in a first US publication, takes apart the old myths to discover the birth of history and modern thinking amid timeless patterns of behavior. Ranging as widely as one of the peripatetic Olympian gods he describes, Calasso moves effortlessly between the legends and the poets and writers—like Homer, Ovid, and Sophocles—who gave their own spin to the old stories. He begins with the rape of Europa, and ends with the marriage of Cadmus to Harmony. The first story reveals the Olympians under Zeus, already withdrawing from the world, manifesting themselves only in forcible interventions like rape; the last marks the final occasion when the gods and men had ``been on familiar terms; after that remote time, to invite the gods to one's house became the most dangerous thing one could do, a sign of the now irretrievable malaise between heaven and earth.'' As Calasso recounts the classic stories in between these two events, he not only divides the relationship between man and the gods into three stages—the third being the modern one of mutual indifference—but also gives accessible lessons on ancient history, religion, and philosophy. Central to the narrative is the death of Odysseus, which ends the ``long chain of stories that predate history. After Odysseus, our life without heroes begins; stories are no longer exemplary but are repeated and recounted. What happens is mere history.'' Action, the hurly-burly of man encountering gods in extraordinary ways and stranger places, is ended with Cadmus' gift of the alphabet to the Greeks. Henceforth, religion—the gods—``will be experienced in the silence of the mind, no longer in the full and normal presence.'' But the meanings of the myths linger on—a myth, Calasso asserts, ``is the precedent behind every action, its invisible, ever-present lining.'' Here, the past not only comes vibrantly alive but connects to the present in a virtuoso display of scholarship and insight. A remarkable feat.
Pub Date: March 9, 1993
ISBN: 0-394-58154-7
Page Count: 384
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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