by Roberto Ransom & translated by Jasper Reid ‧ RELEASE DATE: Jan. 1, 2007
Weightless.
Tame novella about two trickster lions.
In Mexican author Ransom’s first book in English translation, two lions make their human owners and keepers do crazy things. Cattino, who can morph into a domestic cat at will, charms Sophia, an Italian countess, much to the dismay of her husband, Count Lorenzaccio. When Sophia and Cattino fly from Rome to New York to visit Lorenzaccio’s sister, only one—the Countess—disembarks at LaGuardia. Despite her husband’s pleas, Sophia has refused to speak to Lorenzaccio: She claims he bribed Alitalia baggage-handlers to “lose” Cattino. The scene shifts to Nairobi, where ne’er-do-well Jeremiah is hired to guard Pasha, a stuffed lion encased in glass on exhibit in the Ministry of Tourism’s opulent lobby. A bureaucrat, Redding, claims he shot Pasha on safari, but Jeremiah realizes that Pasha is not really stuffed; he’s only pretending to be inanimate when other people are around. After a Masai smashes Pasha’s cage, Jeremiah leaves, knowing Pasha will escape. The Nairobi police keep him under surveillance for lion theft. In the last of three sections, Cattino resurfaces in Rome after circumnavigating the globe in a jumbo-jet cargo hold. He’s quarantined by police, who will not restore him to Sophia—even intermittent lions are not legal pets—but agree to consign him to Don Stefano’s traveling circus. As a circus lion, Cattino exerts his spell on his keeper, who describes how he can’t really be tamed. His act, which sells out, consists in turning from lion to small cat and back again before the astonished spectators’ eyes. When the circus travels to Nairobi, Pasha joins them, adding his talent of mutating from stuffed to alive in seconds. The duo is unbeatable until the circus reaches Mexico City, where, anticlimactically, the felines wander off. A lion and a housecat are found under a bridge, Pasha really dead this time. But Cattino? Only the keeper suspects he’s still at large.
Weightless.Pub Date: Jan. 1, 2007
ISBN: 0-393-32936-4
Page Count: 112
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2006
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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