There’s not an ounce of Mario Puzo’s romanticism in this grimly riveting tale of crime and punishment.
Italian journalist/novelist Saviano continues his exploration of Neapolitan youth gangs with a sequel to The Piranhas: The Boy Bosses of Naples (2018).
Nicolas Fiorillo, who bears the nom de crime Maraja, is emphatically not a nice guy. As Saviano’s novel opens, we find him in an obstetrics ward, where he’s about to rub out a newborn boy. “Come s’accide ’nu criaturo, Tuca’?” How do you kill a baby, Tucano?” he asks a lieutenant. He’s got reason: The baby is the son of the man who killed his brother, just one chit in a long roster of back-and-forth murders among the paranzas, the savage youth gangs, of Naples. Maraja has what might be called a Napoleonic complex, but he really wants to be the Godfather: “Nicolas had always had a weak spot for Don Vito Corleone. He felt just like him: courage above everything else. But that ignoramus of a lawyer was having trouble even registering his Brando imitation.” But there are other, grown-up Godfathers whom he must serve first, moving drugs, illegal weapons, prostitutes, and other contraband for bosses like a certain Don Vittorio, to whom Nicolas pledges fealty with the decidedly medieval act of delivering the detached head of a murdered rival. Nicolas is a gangster, but a learned one, preparing to relate the story of Hasdrubal Barca, the Carthaginian leader whom the Romans beheaded, “which is the way of victors.” Instead, writes Saviano, Maraja can barely squeak out, “Don Vitto’, is this loyalty enough to make you trust the paranza?” Alas, the tests are many, and when Nicolas falls short of them, betrayed by his endless ambition and inexperience, he must pay a stiff penalty. The wheel continues to turn, though; the book closes with teenage boys even younger than Maraja, Tucano, Lollipop, and the other young gangsters of a gang that burns, stabs, and shoots its way to renown and even adulation.
There’s not an ounce of Mario Puzo’s romanticism in this grimly riveting tale of crime and punishment.Pub Date: Sept. 8, 2020
ISBN: 978-0-374-10795-6
Page Count: 400
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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