Davies (Murther and Walking Spirits, 1991, etc.) deftly combines metaphysics, magic, and modern medicine to tell a contemporary story with ancient roots as he introduces healer and ``cunning man'' Jonathan Hullah. A ``cunning man,'' according to Robert Burton, the noted Arabist, ``will help almost all infirmities of body and mind.'' Hullah, as a doctor who deals with that ``realm where mind and body mingle,'' is Davies's point man for the book's major theme: the links between the mind and disease, the recognition that ``disease is the signal that comes late in the day, that a life has become hard to bear.'' Hullah, recently retired, prompted by a probing question from a young woman journalist who is writing a series of articles on old Toronto, narrates the story of his life as a modern ``cunning man.'' Set in that urbane part of Toronto where art, academe, and old money comfortably mingle, the novel also explores familiar Davies themes of friendship, faith, and art. The journalist wants to know the truth about Father Hobbes, the rector of St. Aidan's who died while celebrating Communion. The old man was rumored to be responsible for miraculous cures. Hullah, who was present at Hobbes's death but neglected to conduct an autopsy, recalls his own boyhood in the deep Canadian woods, where he was saved from death by a local shaman; his years at prep school, where he met the two great friends of his life, Brocky Gilmartin and Charlie Iredale; his decision to become a doctor; and the war experiences that led him to practice a unique form of healing. Hullah is a clever man, with many diverting friends, but it is his old friend Charlie, now a devout priest, whose confession most surprises him and best illustrates the ability of both Davies and his characters to conceal cunningly what lurks beneath the surface. Ideas, aphorisms, and wit are as evident as Davies's more teleological concerns, which all makes for a splendid intellectual romp as well as an absorbingly literate novel. Davies at his best. (Author tour)
Pub Date: Feb. 1, 1995
ISBN: 0-670-85911-7
Page Count: 480
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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