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SPERM WARS

THE SCIENCE OF SEX

Graphic, no-nonsense scenarios of human sexual behavior, and evolutionary biology as the framework for interpreting who did what to whom in a given scenario, are the hallmark of this extraordinary work by Univ. of Manchester (England) biologist Baker. His thesis? That humans, no more or less than other animals, are driven by biological forces to ensure their genetic survival. Males need to ensure it is their genes that inseminate; females that they get impregnated by the best genes available. Does that sound like sexual warfare? Game theory? You bet. Baker's credentials are based on lifelong animal research combined with studies of 100 English couples willing to be interviewed and observed in the act. In a nutshell, Baker opines that women are masters at concealing their fertility, men at promoting sperm warfare. The latter relates to evidence that in the face of deposits of sperm from two or more partners in a women's genital tract, there is competition in which one contender's sperm ``blockers'' and ``killers'' try to outdo the other's to succeed in fertilizing the ovum. In 37 fictional scenarios of sexual activity Baker plays out variations on this theme from routine marital sex to homosexuality, group sex, wife-battering, and marital rape, and lifelong monogamy—coming to startling conclusions that infidelity, masturbation, bisexuality, even rape may pay off in the survival- of-the-fittest-genes game. Baker is well aware that he has written a controversial book that will inflame many readers. To his credit, his sexual scenarios are coolly descriptive rather than prurient, as are informative passages on anatomy, the menstrual cycle, and other aspects of physiology. All the same, in reducing complex human behavior to biological urges, he omits emotional motivations and forces. To the question, ``What has love got to do with it?'' Baker would say, ``Not much.'' Expect fireworks and rebuttals, but also serious consideration for the ideas expressed by someone bold enough to open the bedroom door.

Pub Date: Oct. 23, 1996

ISBN: 0-465-08179-7

Page Count: 352

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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