An intelligent, compassionate examination of a family enduring a nightmare.
A young woman in Southern California struggles with the agony of her sister’s death from a car accident.
Sixteen-year-old Leo’s favorite person was her older sister, Nina, whose outspoken, funny persona endeared her to many. In a series of chronologically reversed vignettes over the course of the year since Nina’s death, ending with one that takes place just hours before the accident that takes her life, Benway presents a nuanced, realistic portrait of the losses experienced by those closest to Nina—Leo; their mother, father, and stepmother; and Nina’s boyfriend, East. The novel’s structure is an interesting and mostly successful narrative technique: While the movement of time can be a little difficult to track, the dates that preface each chapter, labeled in terms of where they fall in relation to the accident, help to keep the timeline from becoming too confusing so readers can focus on the moving exploration of grief in all its unpredictable messiness. Authentic, often sarcastically funny dialogue and texts bring a lightness and grim humor to interactions Leo has with East and others. Her divorced parents and stepmother are poignantly developed secondary characters, and the intricate dynamics of Leo’s relationships with each of them underscore the ripple effect that occurs in families following a tragic loss. All the main characters seem to be White and middle class.
An intelligent, compassionate examination of a family enduring a nightmare. (Fiction. 13-18)Pub Date: June 21, 2022
ISBN: 978-0-06-285443-8
Page Count: 352
Publisher: HarperTeen
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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