From the first page to the last, this compassionate, funny, moving, compulsively readable novel about what makes a family...
Placing her daughter for adoption left a hole in Grace’s heart; her adoptive parents can’t fill it, and her birth mother’s unreachable—then Grace learns she has siblings.
Maya, 15, a year younger than Grace, was adopted by wealthy parents 13 months before their biological daughter, Lauren, arrived. Joaquin, nearly 18, a survivor of 17 failed foster-care placements and one failed adoption, is troubled when his current foster parents express a wish to adopt him. Grace reaches out, and the siblings soon bond. All—Maya especially, standing out in a family of redheads—are grateful to meet others with dark hair (only Joaquin identifies not as white but Latino) and weird food preferences (French fries with mayo). Still, each keeps secrets. Maya discusses her girlfriend but not her mother’s secret drinking; Joaquin edits out his failed adoption; Grace, her pregnancy and daughter’s birth. It hurts that her siblings have zero interest in tracking down the mom who gave them away, yet Grace persists. Chapters alternate through their third-person perspectives, straightforward structure and syntax delivering accessibility without sacrificing nuance or complexity. Family issues are neither airbrushed nor oversimplified (as the ambiguous title suggests). These are multifaceted characters, shaped by upbringing as well as their genes, in complicated families. Absent birthparents matter, as do bio siblings: when their parents separate, Lauren fears Maya will abandon her for her “real” siblings.
From the first page to the last, this compassionate, funny, moving, compulsively readable novel about what makes a family gets it right. (Fiction. 13-18)Pub Date: Oct. 3, 2017
ISBN: 978-0-06-233062-8
Page Count: 384
Publisher: HarperTeen
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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