No other bestselling author crunches the language quite like Cook, but he does know how to make his pages fly—which is what made last year's dull Blindsight so unforgivable. Not so this newest, which finds Cook back on track—like a runaway locomotive- -with a manically entertaining thriller. Sean Murphy is a brash son of Boston's Irish ghetto, a reformed thief whose brains have gotten him into Harvard Med. Now Sean's heading for Miami's Forbes Cancer Center, which has a mysterious 100% success rate treating medulloblastoma, a type of brain cancer. Once south, though, Sean finds that the Center's head, Randolph Mason, wants him to work not on the ``medulloblastoma protocol'' but on crystallizing ``murine monoclonal antibodies'' (Cook pours on the medical know-how here). Moreover, Janet Reardon, the nurse/lover Sean dumped in Boston, has followed Sean to Forbes. But never mind: Sean decides to steal Forbes's research and give it to the world, and to enlist Janet's help. When Forbes's Japanese backers learn of Sean's aim, though, they send an assassin after him; but the killer has to get in line behind the p.i. that Mason has hired to look into Sean, and the Nazi-like head of Forbes security—not to mention Forbes's resident orderly/serial-killer (no threat to Hannibal Lecter, though he does keep his dead mom in a freezer) who's been ``liberating'' patients, and who decides that Janet is on to him. A madcap chase to Key West and back winds up with Sean taking Mason hostage. Will a SWAT team neutralize Sean before he can prove that the medulloblastoma protocol is key to an evil scheme to fund the money-starved Clinic? All this antic action, and a Message about the financial plight of medical research too: So what if Janet finds her heart ``pounding and knowing her face is flushed''? Chalk up another big one for Cook. (Literary Guild Dual Selection for Winter)
Pub Date: Jan. 4, 1993
ISBN: 0-399-13771-8
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1992
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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