An enjoyable faux sequel to the Jane Austen classic, full of sweetness and vinegar.
The fourth volume of Kobayashi’s Sofia-Elisabete Munro series, her jocular spinoff of Pride and Prejudice.
Sofia-Elisabete, born in Portugal, is just shy of 16. She’s married to Kitt Munro, who is currently in London working to help his brother escape a financial mess. Sofia is staying with her father, Col. Fitzwilliam and stepmother in East Yorkshire and coping with the colonel’s increasingly unreliable mental state. Trouble begins when her father insists Sofia join him on a fox hunt—an animal lover, she plots to save the poor fox. During the hunt, the adventurous Miss Barbarina Bond, riding sidesaddle, as was the custom for proper women—except for Sofia, who rides astride her horse—races recklessly toward a stone wall too high for her exhausted horse to clear. The horse tumbles over the wall, landing in a ditch atop its hapless rider. The injured horse is shot, and the critically wounded Miss Bond is carted from the field. Later, gossips at the pub are in need of a villain, and they unfairly blame the kindly colonel for the mishap. His reputation stands to be shattered. Sofia sends for her cousin—Jane Austen’s hero Fitzwilliam Darcy—to aid in locating the one person who can establish the man’s innocence. Kobayashi’s humorous storyline uses the rhetorical flourishes and formalities befitting the satirical portrayal of its 1826 upscale English countryside setting. Sofia, who narrates the novel, is a delightful, independent young woman, fearless in her disregard for social conventions that are demeaning to women. Readers new to the series can find a quick catch-up on Sofia’s background in the “Historical and Literary Notes” addendum section. Kobayashi’s descriptions of the cruelty and bloodthirsty rituals of the hunt are well researched and vividly disturbing. Despite a few initial stumbling blocks in deciphering hunt terminology, sufficient action and witty dialogue keep the pages turning.
An enjoyable faux sequel to the Jane Austen classic, full of sweetness and vinegar.Pub Date: March 6, 2023
ISBN: 9781736786628
Page Count: 228
Publisher: Self
Review Posted Online: April 4, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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