A shining paean to winter traditions around the globe.
What holidays do people observe in winter?
During a cozy Hanukkah celebration at home, a light-skinned youngster gazes at the lit menorah in the family’s window. The child imagines riding the miraculous beam that it radiates, watching in wonder as the light touches communities across the globe, each celebrating a different light-filled holiday. Luminous illustrations depict diyas for Diwali, kinaras for Kwanzaa, candle wreaths for St. Lucia Day, and krathongs for Loy Krathong. Finally, the light finds “you,” wherever you are and whatever you might celebrate. Returning home, the child realizes that the real holiday miracle is the light that radiates, connecting us all. A glowing ribbon winds through the pages, providing a lovely visualization of the metaphorical light that different traditions all bring to the world. The brief section describing “you” feels less slightly inclusive than the rest of the story. Though the text lists a variety of holidays that “you” might be celebrating, the brown-skinned, long-haired child on these pages is hanging colorful ornaments on what readers are likely to assume is a Christmas tree. The book also doesn’t explicitly acknowledge children who might not celebrate a fall or winter holiday. But the final few pages return to the more inclusive celebration of the collective light that arises from our diversity. A concluding note briefly describes the holidays portrayed. Characters are racially and culturally diverse.
A shining paean to winter traditions around the globe. (Picture book. 4-8)Pub Date: Sept. 17, 2024
ISBN: 9781772782899
Page Count: 32
Publisher: Pajama Press
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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