by Robin MacArthur ‧ RELEASE DATE: Jan. 9, 2018
A fecund and contemplative feminist family saga.
A woman returning to her native Vermont to locate her missing mother uncovers a submerged family history.
The debut novel by MacArthur (Half Wild: Stories, 2016) opens in 2011, as the remnants of Hurricane Irene besiege a rural Vermont town. Bonnie, a heroin addict, has disappeared during the flooding, prompting her daughter, Vale, to leave New Orleans, where she makes ends meet tending bar and stripping, to help find her. With few trails to follow, though, she mainly spends the ensuing months reconnecting with her extended family and locals, particularly her great-aunt Hazel, whose grip on reality is slipping, and her aunt Deb, a one-time commune dweller who still proudly adheres to a back-to-the-land lifestyle. (The novel’s cultural touchstones are feminist and activist icons like Henry David Thoreau, Grace Paley, Frantz Fanon, and Patti Smith.) MacArthur alternates narrators, shifting not just from Vale to Hazel to Deb, but to notebooks written by Vale’s proto-hippie maternal grandmother, Lena, giving the narrative a lyrical, earth-mother vibe. As Vale chats up family, reads the notebooks, and pulls up archives to seek evidence of her Native American heritage, MacArthur’s theme is clear: the various ways women struggle to get past abuse and disrespect. (Vale’s discovery of an infidelity in the past adds another layer of complication.) The family tree can get tangled, a love-interest subplot delivers little heat, and the story is occasionally pockmarked with only-in-a-novel dialogue and actions (“Find me!” Vale cries after flinging her clothes off in a rainstorm). But MacArthur ably sustains multiple narrative threads and voices while sympathetically exploring more than four generations’ worth of hard times. And though the story is somber, there’s enough room in the narrative for a sliver of optimism. As Deb tells Vale, “No radical change comes during good times.”
A fecund and contemplative feminist family saga.Pub Date: Jan. 9, 2018
ISBN: 978-0-06-244442-4
Page Count: 368
Publisher: Ecco/HarperCollins
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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