by Robin Mellom ; illustrated by Vanessa Brantley-Newton ‧ RELEASE DATE: June 18, 2019
Personalities don’t usually change as quickly as Hannah’s does, but the strategy introduced that prompts it is a sound one.
A girl with enthusiasm to spare has some trouble making new friends at school, just as she did with a new neighbor in her eponymous debut (2017).
The first few spreads showing Hannah with her family demonstrate that Hannah can be a bit much to take. She “hugs” the mail carrier around the neck from behind, and her glitter bomb doesn’t go over well with her grandmother, who uses a walker. Hannah has strong opinions, and she shares them, often neglecting to listen to others. This means her first day of first grade doesn’t go as she imagined. In fact, it’s pretty miserable. Then Hannah’s teacher encourages her to visit the “refill station,” where she can have some quiet time to “Sit. Think. Refill. Then come try again.” Without classmates to talk to, Hannah is forced to watch and listen, and soon she’s ready to try using those skills with her new friends. While it’s hard to swallow that Hannah shifts modes so easily, the idea of a refill station is one that readers can try on their own or with teacher help. Brantley-Newton’s hand-sketched digital illustrations keep the focus on the characters’ emotions, their faces and body language spot-on. Hannah presents white with brown hair, her class is diverse, and her teacher has light-brown skin and brown hair.
Personalities don’t usually change as quickly as Hannah’s does, but the strategy introduced that prompts it is a sound one. (Picture book. 4-8)Pub Date: June 18, 2019
ISBN: 978-0-06-232234-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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by Robin Mellom
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by Robin Mellom ; illustrated by Vanessa Brantley-Newton
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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