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DON'T CALL ME FUZZYBUTT!

Useful, perhaps, for conflict resolution, if not ground-breaking.

Neighbors Bear and Woodpecker exchange a few choice words.

“Bear needed a lot of sleep. Two hundred and forty-three and a half days to be precise. Anything less and he turned grizzly.” However, Bear is a light sleeper, so just to make sure he’s not disturbed, he hangs signs and makes a soundproof front door out of some local trees. He drifts off to sleep—but not for long. Woodpecker is aghast to find that some of the best houses he has created with his pecking are gone. The trail of debris leads to Bear’s door. Woodpecker pecks up a ruckus, and a cranky Bear calls him a “featherbutt.” The woodland gossips are a-twitter, and it gets back to Woodpecker. Woodpecker is initially angry but then begins to sniffle (while continuing to peck), which annoys Bear and leads to another angry exchange. Woodpecker calls Bear “fuzzybutt,” now hurting Bear’s feelings. After a mutual apology, the erstwhile enemies become friends, working together to make sure Bear gets his sleep and Woodpecker can create his houses some distance away. Batori’s slightly anthropomorphized illustrations of chunky forest creatures suit Newman’s tale of name-calling and reconciliation. Listeners likely won’t settle their own arguments so quickly, but they can try to follow Bear and Woodpecker’s example. And they will love the many iterations of butt. (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 57.1% of actual size.)

Useful, perhaps, for conflict resolution, if not ground-breaking. (Picture book. 5-9)

Pub Date: March 15, 2021

ISBN: 978-1-5341-1073-1

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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