The usual ingredients of heartbreak, corporate-takeover, and budding romance lead to a fairly predictable concoction—in a first novel by Robin, son of Rosamunde. Having lost his wife to cancer some months earlier, fortysomething David Inchelvie has all but retreated from the world, cocooning himself in grief and memories of his beloved Rachel. Heir and executive of Glendurnich Distilleries, he’s taken a leave of absence and started tending his parents— garden in remote Scotland, forcing his old father, Lord Inchelvie, out of retirement. When the highly suspect managing director, Duncan Caple, asks David to take a short business trip to the States, the plotting begins, as do some of the novel’s more obvious shortcomings. Experiencing an emotional breakdown at his business meeting, David escapes to a friend’s house in Long Island, where he procures a job as gardener to a wealthy yuppie couple. Hiding his identity, he becomes a virtual savior to the family: confidant to the housekeeper Jasmine, surrogate father to little Benji, and a masculine ideal to wife Jennifer. Everything blooms under his wise care. Meanwhile, trouble brews back in Scotland. In a plan to usurp control of the Inchelvie dynasty, Caple gets rid of some trusted employees and encourages the old man to stay home and rest. Oblivious to the nefarious goings-on, David continues slowly to recover his hope and mental balance’so much so that he sends for his three children to join him for an American holiday. Immediate warmth is generated (Jennifer’s husband Alex is conveniently away having an affair) when David receives news that his father has suffered a stroke upon learning that he may lose his company. Can the rejuvenated David save the day? More distracting than the predictable storyline are the oversimplified characterizations of Piltcher fils: children are sweet, Americans happy, the villains villainous. Traditional to a fault. (Author tour)
Pub Date: Feb. 1, 1999
ISBN: 0-312-19995-3
Page Count: 470
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1998
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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