Stilted style, lots of expository dialogue, and an utterly predictable plot, from the son of Rosamunde.
Silly soap opera from the author of An Ocean Apart (1999).
Hunky husband Gregor leaves devoted wife Liz for a “wee blonde-haired bombshell” in a tight pink sweater, and Liz retreats to her father’s farm on the island of Fife to think things over. Nathaniel Craig, lonely after his wife’s death, welcomes his middle-aged daughter back. The crux of the story: Nathaniel’s grandson Alex has plans to convert the family land into a golf course, even though they’ve farmed it for over a hundred and fifty years. Liz has her doubts, while Nathaniel would just as soon sell, provided he can continue to live in the farmhouse. Then Liz finds herself attracted to a boarder supplied by her matchmaking father and even goes so far as to comb her hair in a more becoming fashion.. Arthur Kempler is a professor of German, and too old to want sex, but he does desire female companionship and invites lovelorn Liz to Seville, where the two take in the local color. Plans for the golf course are taking shape when Nathaniel meets a new woman: 60-ish Roberta (Bobby) Bayliss, Australian daughter of a Scotland-born tycoon. Bobby is a no-nonsense type and one hell of a golfer. After falling in love in a matter-of-fact way with old Nathaniel, she decides to use the vast fortune her father left her to create the best new links in Britain. Liz returns home with a great tan and blond highlights, only to hear that Gregor has been badly burned in a car accident and that he’s had enough of his wee bombshell, having caught her flirting with another man in a local pub. Can Liz ever forgive him? Take him back? These and other questions are resolved in a ho-hum denouement that will surprise no one.
Stilted style, lots of expository dialogue, and an utterly predictable plot, from the son of Rosamunde.Pub Date: Jan. 1, 2001
ISBN: 0-312-26995-1
Page Count: 400
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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