A tactile, magnetic collection.
Romm’s second story collection toys with passions and responsibilities, not necessarily in that order.
The book opens with the O. Henry Prize–winning “Marital Problems.” An unnamed narrator and her husband, Victor, search for a dead bird their daughter has entombed within Victor’s estranged late father’s binocular case, while Victor rages over the incompetence of their contractor and the narrator distracts herself with sexual fantasies (both about the contractor and about her friend, a single mom). This story is a knockout—its characters are brilliant, their relationships meticulously muddled by conflicting impulses and passing fancies—and yet it does not overshadow the nine that follow. The theme of motherhood is especially prominent, a throughline from Romm’s The Mother Garden (2007). In the title story, Brown University student Elisa sells her eggs to a famous actress to secure an economic cushion for herself. After graduation, she uses the money to begin building her dream life in New York City, but, when headlines and photos of the actress and her daughter begin to circulate, Elisa is beset by the feeling that she’s done something terribly wrong. “What To Expect” also involves donated gametes—39-year-old Emily uses a sperm donor to start a family solo and, once she’s pregnant, decides to sell the unused sperm to a woman who used the same donor for her first child. An unexpected connection leaves Emily unsure whether she’s just feeling the baby fluttering about or if there might be true-love butterflies in there, too. Though this book is deeply sincere (the title is indeed self-descriptive), there are wry, even cheeky moments to be found: “A Gun in the First Act,” named for a Chekhov quote, flips an interview for an academic position on its head when shots are fired at the annual AWP conference. And of course, it helps that Romm’s prose is consistently swoonworthy: “We stand silently, all the possible words drying up, wicked back into the heavens to rain on someone else.”
A tactile, magnetic collection.Pub Date: Sept. 15, 2024
ISBN: 9781961897182
Page Count: 192
Publisher: Four Way
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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